One of the things I love most about being an actor in New York is reading my Equity Newsletter on the Subway.
When I first moved to this city, more than anything else, I wanted my Equity card. I know that being part of the stage actor’s union is not the most important thing for all actors. Perhaps there is even more work out there if you are not a part of the union. But the fact of the matter is that my goal is to be a Broadway actor. Broadway stages are Equity stages and therefore, I need to be Equity.
I did attend a few non-eq auditions when I got here, but for the most part it was Equity all the way. I was one of those fools who arrived at 5:30 in the morning to put my name on the unofficial sign-up list*. I would bring my lunch and a good book and sit around all day.
I knew that, usually, if I waited long enough the other non-eqs would give up and most of those on the Equity alternate list would not come back. And because I was willing, on occasion, to wait around for up to 10 hours (yes, this actually happened) I got seen. There I was, newly a New Yorker, auditioning for The Great White Way. It was not glamorous, but to me it was amazing.
I was really lucky in that I didn’t have to endure those crazy hours for too long. I started actively going to Equity auditions in October and had my card by January. Flash forward 4 years to me riding the subway enthralled by my Equity Newsletter.
Part of my love for the newsletter is that I know what went into ensuring it arrives in my mailbox every month, but it goes deeper than that really. A specific community of people receive this paper, and the common thread of being a stage actor ties us all together. As I peruse the theater-related headlines and read about things like which theatrical veteran is being honored where, there are 49,000 members doing the same thing.